LEAKED: ZEISS OTUS ML 85mmF1.4 and OTUS ML 50mmF1.4

UK store theclassiccamera has already the upcoming Zeiss Otus lenses listed on their website.

Down below you can find the specs.

You can access the product pages at theclassiccamera – via how2fly

ZEISS OTUS ML 1.4/50 E PRE-ORDER

Lens Design ZEISS Otus ML 1.4/50
Distagon with 14 lens elements
Lens with aspheric optical surface
Lens made of special glass

▪ The all-metal construction with the highest craftsmanship and quality made in Japan.
▪ Clear, easily readable, and ultimate precise scales, allow quick and accurate adjustments to maintain full control and focus.
▪ Compact and portable form
− 1.4/50: 77 x 100mm, 677g
− 1.4/85: 88 x 113mm,1040g.
▪ Optimized for latest mirrorless mounts (Sony1 E, Canon2 RF, Nikon3 Z).

▪ Signature ZEISS Distagon and Sonnar designs are the baseline to give the best performance and sharpness.
▪ As an apochromat, the chromatic aberrations of the lens are corrected by lenses made of special glasses with anomalous partial dispersion. The chromatic aberrations and coloured artifacts are therefore limited to minimum, and colours are rendered as in reality, well-balanced and true to life.
▪ The aspherical lens design ensures consistent imaging performance across the entire field of focus as well as sharpness at the edge of the image. The more complex surface profile of the aspheric lens reduces the spherical aberration and further optical aberrations.
▪ The ZEISS T* coating reduces ghosting and flare.
▪ Ten aperture blades for beautiful bokeh.

Manual Focus
▪ In a low-light conditions by manually adjusting the focus one can have more control over challenging lighting situations and achieve sharpness exactly where they want
▪ For portraits, especially with a wide aperture depth of field is very shallow, manual focus allows greater control in focusing

▪ Otus ML lenses can offer an advantage in controlling the depth of field, as the photographer has full control over the focus point By manually focusing on a specific area in the frame, the photographer can choose the exact point of focus and control the depth of field accordingly

▪ Some photographers simply prefer the tactile experience and control that comes with manual focusing, finding it more engaging and satisfying

▪ Photographers may want to focus on specific elements within a scene for artistic reasons , such as achieving a shallow depth of field or isolating a subject

▪ Photographers appreciate the slower, more deliberate pace that manual focus allows to find joy in the craft itself

ZEISS OTUS ML 1.4/85 E PRE-ORDER

▪ The all-metal construction with the highest craftsmanship and quality made in Japan.
▪ Clear, easily readable, and ultimate precise scales, allow quick and accurate adjustments to maintain full control and focus.
▪ Compact and portable form
− 1.4/50: 77 x 100mm, 677g
− 1.4/85: 88 x 113mm,1040g.
▪ Optimized for latest mirrorless mounts (Sony1 E, Canon2 RF, Nikon3 Z).

The story of portrait photographers: they have a certain image in mind. They plan and cast, test out different lighting situations, try to push their subject to the limits and optimize their craft until they’ve achieved to visualize their vision.

Matt Granger: Nikon Z Users BEWARE!

Matt writes:

Yes, like many of you, I have an after market foot installed. But it was the MOUNT of the Foot that ripped off the lens body – so this impacts every 70-200s Z lens user.

Wildly rumored Nikon Z50II specs

On Weibo you can find those (wildly?) rumored Z50II specs:

  • Equipped with a classic 24-megapixel image sensor
  • Upgraded Expeed 7 processor
  • Can record 4K30P, FHD120P
  • Can record upscaled 4K60P cropped video 1.5x
  • AI Intelligent Focus, Eye and Animal Recognition Detection
  • Body 5-axis stabilisation
  • High-brightness EVF viewfinder
  • 3.2-inch LCD touchscreen
  • Dual SD card slots
  • Expected release in summer 2025

 

New Topaz Gigapixel 8.2 and Photo AI 3.5 released

Topaz announced the new Photo Ai 3.5 (Click here) and the new Gigapixel 8.2 (Click here) updates.

Press text

We’re excited to announce another major update to Photo AI with a new take on our lighting enhancement, a new way to run Super Focus on any machine, crash recovery, and more!

  • We’re announcing a version 2 of Adjust Lighting which is vastly improved to deliver a more natural, vibrant, and reliable results across the board.
  • Now anyone can run Super Focus in the cloud at lightning speed on any device, even if you don’t have a good GPU.
  • And for those who can, Super Focus now runs 40% faster on Apple devices. This combines with our previous speed boosts – it is now faster than ever.
  • If you encounter a crash with Photo AI, your session and work is now saved with crash recovery so you can get back to creating beautiful images.

The Gigapixel v.8.2 update now has batch Cloud Rendering, faster speeds on Mac, improvements to the Redefine model, and more.

  • High creativity Redefine Cloud Rendering result improvements
  • Batch process multiple images at once with Cloud Rendering
  • Redefine is now 2x faster on Mac (latest MacOS 14 or 15 required for use)
  • Upscale images based on their longest side